The
Ara Pacis is the most famous and best preserved sculptural monument from Ancient Rome of the
Augustan age. As of 2006, the structure has been housed in a new museum designed by Architect Richard Meier. The modern designed space, well-lit with stunning windows and glass roof, boasts a full array of models, portrait busts, video reconstructions and VR google views of the monument in order to allow the visitor to better contextualize the altar’s original location, purpose, and appearance, once painted in bright colors.
The didactic material charts the vicissitudes that surround the conceptualization of the altar in its original location in the
Campus Martius. Vowed by the Senate on July 4, 13 BCE, it was dedicated on January 30, 9 BCE. The altar consists of a decorated temenos wall delimiting the sacred from the profane. It has two entrances to the central space, containing the altar itself. The outer wall’s upper portions are externally decorated by
mythological panels on the east and west sides on either side of the doorways. The north and south sides are decorated with a religious procession of
priests, attendants, and members of
Augustus’ family. The lower half of each wall is covered by intricate vegetal scrollwork, interspersed with flowers from various seasons, as well as birds, insects, snakes. The interior of the outer wall is carved with faux wooden marble slats, bucrania, and fillets and garlands. The central altar itself is mostly deprived of reliefs. Only a small frieze of
sacrificial animals, attendants and
Vestal Virgins indicates its former decorative scheme. This marvelous dynastic monument for
Augustus’ family, entirely made from solid blocks of Luna marble, was already partially buried in the Hadrianic era, surrounded by secondary protective fence. It disappeared from view by Late Antiquity.
Through videos, a model of the
Campus Martius, drawings and more, the
Ara Pacis’ history comes to life. Its rediscovery began already in 1568 with the building of Palazzo Peretti. Further excavations under the palace revealed more fragments in 1859, through 1903. Full scale excavations were not attempted until the reign of Mussolini, in 1937-1938, with the aid of technological advances that led to the extraction of the remaining portions. Mussolini’s vision of a new Rome with
Augustus as a model also led to the dismantling of the opera house atop the Mausoleum of
Augustus. The Fascist-era
Ara Pacis museum was conceived to house the Augustan altar next to the Augustan
tomb to underline the reign of
Augustus as a reference to Mussolini (a ruler though not a king). The Mausoleum was once flanked by two bronze tablets with the inscribed
Res Gestae of Augustus. Under Mussolini, the Res Gestae copy was inscribed on the outer wall of the
Ara Pacis Museum. Today, the Meier museum also has a copy of the Res Gestae on the same wall section, facing the Mausoleum, currently under restoration, though a donation from the Tim Foundation. At the end of the project, the two monuments will finally be reunited, each with its own museum space.
Bibliography:
Ara Pacis, O. Rossini 2006, Electa
